Goddess Series: Freyja (Freya)

This collar style necklace was inspired by Freyja's Brisingamen (or the Brising Necklace), which was described as golden like the sun.  It features a front toggle clasp with gold rhinestones.  A spearhead hangs from the clasp as a symbol of the Freyja's role as a war goddess and the Valkyries; the women-warriors that Freyja led, gathering the souls of fallen heroes who died in battle.  The hand-fractured glass marbles represent her tears, which turned to gold or amber, depending on whether the landed on land or sea.  The wire-wrapped quartz shards represent wisdom and light (traits that were ascribed to the Freyja's race, the Vanir) and the ice of the cold Nordic regions.

Freyja was the Norse goddess of love, sexuality, beauty, war, and sorcery.  It is believed that she and several other Norse goddesses stem from a single Germanic goddess.  Freyja's name has been found in various Scandinavian, Germanic, and Nordic regions.  (Her name is also spelled as follows: Freya, Frejya, Freyia,Frøya, Frøjya, Freia, Frejsha, and Freja.  Some of her aliases are: Gefn, Hörn, Mardöll, Sýr, Valfreyja, and Vanadís.)

She was greatly drawn to gold and jewels, the story about how she obtained the Brisingamen being based around this trait.  She was a member of the Vanir (along with her brother, father and mother) and was taken hostage or traded to the Aesir (the gods of Valhalla).  Her Valkyries collect half of the souls of slain warriors to dwell in the afterlife fields she rules over, called Fólkvangr; the other half would go to Odin's Hall, Sessrúmnir.  Though she was married to Odur and bore him two children Hnoss and Gersemi), he abandoned her or disappeared for unknown reasons.  One story explains him leaving when he learned of a trade she made with the four dwarves that created the Brisingamen; one night with her for each of the necklace's artisans.  Other stories state that Odur goes on long journeys, which leaves her alone for extended periods of time.  In both stories, she is stated to weep tears of gold and amber, and takes up aliases while in search for her husband.  In his absence, she was stated to take lovers and was sought after as wife by the jötnar (frost giants).

Among her symbols are a feathered cloak, two blue/grey cats, a boar, a spear and chariot, amber, and the Brisingamen necklace.

Goddess Series: Athena

The Athena Necklace features heavy antique gold chain and a delicate gunmetal black chain.  Fringe of copper and black chain creates a scallop affect where they connect, hinting at her weaving and more womanly skills.  Larger antique gold stylized feathers and smaller bright gold spearheads represent the blend of wisdom and battle.  The focal emblem is an owl in flight, seemingly about to attack its prey.  The clasp is an antique gold toggle, in a simple deco style, with small clear rhinestones embedded into the metal.

Though the Greek and Roman deities were oft times so similar that they can be interchangeable, Athena is one of the exceptions.  She is often compared to the Roman goddess Minerva, but there are are enough differences that they are not the same (unlike Aphrodite/Venus or Zeus/Jupiter).  The belief is that the Romans may have divided Athena into two separate deities; Minerva (goddess of wisdom, art, weaving, music, trade/commerce, and defense) and Bellona (goddess of war and can create war-like frenzies).

The generally accepted origin of Athena states that she was born from the union between Zeus (Father of the Gods) and Metis (goddess of wisdom, calculating thoughts, and cunning).  Due to a prophecy that Metis would bear children more powerful than their father, Zeus decided that he should devour her whole in order to maintain his preeminence over all other creatures.  He was too late; she had already conceived and his offspring were growing within him.  As they grew, Zeus began to develop a migraine.  In time, his head eventually cracked open (the cause of which depends on the version of the story is read), and out sprang Athena full grown and armed.  She let out a scream that caused the heavens and earth to tremble.  The symbols that are most commonly shown with her are a combination of: an owl, a shield, a spear, a serpent, and a helmet.

Other myths depict her as the daughter of Cronus, making her a sibling to Zeus and Hera, rather than the daughter to either.  There are other stories in which Triton raises her, and that she was not technically related to the Olympian gods.

Athena is combines the creative with the analytical.  She is associated with strategy, law/justice, tactical warfare (preferably for a reasonable cause or to end a conflict), courage/strength, and mathematics, but also with arts, crafting, weaving, medicine, philosophy, education/intelligence, sexual modesty, and wisdom.  She was one of the virginal goddess, having had no consort or lover, and thereby represented the epitome of the ideal woman, the favored daughter of Zeus.  She was a woman to be seen as an actual being and force unto herself, rather than a creature whose value is partially or mainly to be sexually desired (whether attainable or unattainable). 

Wire-for Art Thou...

I've been trying to figure out bail styles and techniques I like, but so far, I haven't been too satisfied with them.  Looking at the four most recent, perhaps I'm being too hard on myself.  What are your thoughts?

A  more organic, messy style...

Spiral glue-on bail...

More spiral glue-on bails...

These turned out a bit messy due to the adhesive reacting with the enamels...

And then, it was time to paint more...

As seen in the picture above, I've been a busy bee, working on these painted gems.  Only one of the gems in the picture has a wire bail, but the rest may get one soon so I can start giving some as gifts and listing others.

I have so many ideas on things I want to paint on my main gems... and may use some painted mini gems for my Arachne necklace (or jewelry set).  I'm so incredibly excited!

First painted gem attempts...

These were the first attempts I made at painting gems.  The last set of images at the end of this post was my first attempt at painging a jellyfish onto the glass.  Then various smaller gems, some being attached to bails when fully dried.

My first attempt at painting a jellyfish.  I love how this one turned out.

Well, Hello World

For the last few months, this blog may have been silent, but work continued on my creative endeavors.  I was researching new techniques and ideas for basic jewelry and for my Goddess series necklaces.  I've also started listing more items on the Melusine's Jewels Etsy Shop.

One technique I've been playing with for a couple of weeks now is painting glass gems with nail polish (which is, essentially, a strong enamel paint).  I loved the effects people were able to get with them and wanted to try my hand at them as well.

The tutorial I used is located at Sweeter Lemon: Nail Polish Jewelry Tutorial – Pendants, which was the best tutorial I had found online.  First, I started with basic glittery pendants and did one more intricate painting.  (Pictures will be posted later.)

This week, however, I've dived into experiment with painting jellyfish, seahorses, butterflies, a dragonfly, a mermaid, and a mandala.  I feel I'm really getting a feel for what I can start accomplishing with this technique.  I don't really know if I would prefer nail polish instead of using actual enamel paints from the craft stores... except for the fact that I may have more color and glitter options using nail polishes.  Also, I'm curious how well the glass enamels would work with the adhesives I use, since I've  noticed some issues with how the nail polishes react to it.

I'm working on making my own wire bails for my gems, especially the painted ones.  The hope was to use them on the crackled gems as backings, but the effect was not what I had hoped for.  The silver plate bails I use are far better for the crackled and unpainted gems.  I do like the freedom of making my own bails and backings, though, so I may experiment a bit to see what I can come up with.

Lastly, I've started working on new jellyfish pendant designs.  I like them far better than the ones I previously made.  Previously, people didn't quite know they were jellyfish, but now I've had people take one look and say, "I love your jellyfish!"  So I'd like to think that makes the new designs a success.

Goddess Series: Pele

This necklace features gemstone chips (carnelian, hematite, and citrine), lava beads, and various glass beads.  It also has a red wire-wrapped fried glass gem hanging over a luminous black focal pendant, both seeming evocative of Pele.  The chain, toggle, and other findings are also the same tone of black as the pendant, giving the impression of cooled lava.

Pele is one of the best known of the Hawaiian deities.  She is also known as "She Who Shapes The Land."  According to the Hawaiian myths, Pele and her siblings were originally from Tahiti. They traveled to Hawaii by boat, the stories as to why they emigrated from Tahiti differ.  One story says that she seduced the husband of her older sister, Na-maka-o-kaha'i.  Her older sister flooded her home repeatedly, so Pele went searching for a new place to live.  She traveled from island to island, her youngest sister, Hi'iaka, under her armpit during the voyage while she paddled the boat.  Hi'iaka was in an egg, still unborn during this time and Pele both protected her and kept her warm by doing this.  Every time she landed and dug a new crater to house her and her siblings, Na-maka-o-kaha'i would flood the crater with sea water.  Finally, Pele came upon the Kilauea Volcano.  It was high enough that it would not succumb to the ocean's waters, and thereby was a safe haven.  She invited her brothers to live on the island with her, and they accepted.  There were other deities on this island before Pele and her siblings arrived.  There are many myths regarding their interactions with these newcomers.

Pele is associated with volcanoes, lava, fire and is also one of the goddesses of the hula.  She is a destructive being, but is also the creator of land, increasing her island's size with her lava.  She either takes the form of a beautiful young woman with long untamed hair, or an old woman with long white hair, wearing a long white gown, and accompanied by a white dog.  She is wild, temperamental, impatient, beautiful, and seductive.  She has many love affairs with mortals, gods, and a demigod, most ending poorly for her lovers, though some survived her temper.  She truly is the essence of fire.

She is still worshiped, or at the very least respected, in the Hawaiian islands, and is one of the few remaining deities to be so.  Offerings are still presented to her and there are stories about visitors who would steal rocks from her volcano, only for those rocks to be returned with apologies due to strange events happening afterwards.  She is apparently a tenacious goddess and also not one to be trifled with.